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| | p r o f i l e s i n s t
i l l n e s s
a dew-on-line feature three 
page one
our featured poet's winter garden in its second bloom

original image copyright Marjorie Buettner 2002
page two
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p r o f i l
e s i n s t i l l n e s s
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o f p o e
t s t o u c h e d b y g r a c e
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page three
feature
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three
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page four
Marjorie
Buettner
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deep into nature . . .
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page five
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After-Rain
After the rain black
birds start from
trees looking like
magician's
handkerchiefs thrown
open, silk,
waving in the wind.
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page six
original artwork copyright ai li 2002
page seven
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windy moon*
leaking through the empty parts
within
how strange this mid-aged body
still yearns for another birth
* Cherokee moon in March:
traditionally the start of the new cycle of planting
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page eight
original artwork copyright ai
li 2002
page nine
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At the Lake
On the drive to Lake Superior, phosphorous fireflies stain the windshield.
It is the sound of a dying star which we have thrown wishes to.
We fall down together.
Wild birds at the side of the road.
In the morning, I hear the emptiness of wings cup the sky.
It is the oriental wisdom of the dead.
Moving through this well of gravity, we want to feel beyond what we touch.
How the lake becomes vivid with dusk.
We sit in the circled light of burning wood.
Later your body is forest through which I find my way home.
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page ten
original artwork copyright ai
li 2002
page eleven
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Morningtide
Five a.m.,
a crescent moon leans and
pulls at my belly.
Outside
a bird quiets a branch
rocking against a raven sky.
Later,
I will hear
dull throbs of lovers
behind an apartment wall
and think it is insects straining
against a wire-meshed screen.
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page twelve
original artwork copyright ai
li 2002
page thirteen
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filtered through the
window shades
sun shadows fill up the room
I close my eyes to see you better
how our boundaries merge
this afternoon has no end
I empty myself into you
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page fourteen
original artwork copyright ai
li 2002
page fifteen
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The Borders of Sleep
The fog floods the air
as if it were
a liquid thing
seeking its own depth.
I am submerged,
following the narrowly lit path home,
unable to see
the outline of buildings,
the night sky, trees.
Who can say if this is the right way?
And where do the borders lie?
In the morning, the air
once again
is clouded by that mercurial wave.
It has invaded my sleep.
Is there a distinction between
the dreamer and the dream?
The wave and the sea?
The leaf carries the moth's absence
wherever it goes.
Even the sky at dawn
is signatured by stars.
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page sixteen
original
artwork copyright ai li 2002
page
seventeen
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how slowly this
silvered moonlight travels
crossing the snow-spent lawn
such mysteries rising in the depth
this vast night sky
I lock the door and switch off the light
heavy with distance and time
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page
eighteen

original
artwork copyright ai li 2002
page
nineteen
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The Weight of Love
When the air at night is as warm as my skin,
I walk transparent into your arms.
When the air at night is wild roe,
I feed my bones to the moon.
When the air at night is velvet-lined,
I want to lie in the weight of your heart.
When the air at night is petal-scented,
I am like the unborn smelling the stars.
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page
twenty
original artwork copyright ai
li 2002
page
twenty-one
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the wind tonight
drafty through the window pane
has winter in it
and this heart of heart still knows
the rime of being alone
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page twenty-two
original artwork copyright ai
li 2002
page twenty-three
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A Winter's Tale
When the language of mirrors haunts the tongue,
in the dark every mirror is a black sun.
We are hidden in the middle of each other
like the dwarf of myself in your eyes.
Dark river, pewter moon rising:
the night sky bends over the land like a lost lover.
In the middle of a winter's night
I have found in you a fire I can live by.
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page twenty-four
original artwork copyright ai
li 2002
]page twenty-five
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Before the
Storm
Before the storm broke
the reveling of cardinals
punctuated the thicket of gray-green sky
with a different light
diffusing, as well, that storm growth in me.
This language of birds haunts my heart;
unable to translate, I stand, transfixed
but not removed, wondering when
I reach the last of my days
if I could ever be ready--
wanting less instead of more?
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page twenty-six
f i n i s
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page twenty-seven
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Marjorie Buettner
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I have written poetry all my life and, like music, I cannot live
without one or the other. I live in Minnesota with my husband and three
daughters. I have a master's degree in Literature and Philosophy.
My current publication credits are: Anthologies: Red Moon Haiku
Anthology, (U.S.), 1998, In the Ship's Wake (U.K.), 2001, Countless
Leaves (Canada), 2001, Tundra: a collection of short verse (U.S.), 2001.
Haiku publications: Modern Haiku, Frogpond, still (U.K.), The Heron's
Nest, Raw NerVZ (Canada), Snapshots (U.K.), and Acorn. Tanka
Publications: American Tanka, Hummingbird, Lynx, Tangled Hair (U.K.)
still (U.K.), and Woodpecker (Netherlands). On-line publcations: Lynx,
Poetry in the Light, World Haiku Review. I have recently won First place in
the Florida State Poets Association, 2001 in the sijo form. I have received
placement in the 2001 Tanka Splendor Awards. I have also received
Honorable Mention from Japan's 4th annual Suruga-Baika Literary Festival,
2002, Japan's Mainichi haiku contest, 2001 and Honorable Mention in the
James Hackett's British Haiku Society's 2001 contest. I have received
Honorable Mention for tanka in still's poetry contest, 2000 and 2001 and
an Honorable Mention certificate for tanka from Japan's Society on Water
Environment, 2001. I also write book reviews for North Stone Review,
Modern Haiku and the World Haiku Review.
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page twenty-eight
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thank you
Marjorie for sharing your poems
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if you have enjoyed the small
selection of Marjorie's poetry presented
in this third feature of profiles in stillness on dew-on-line,
you may be pleased to know that you will be able to read more
of this versatile poet's work in still 4 one, still 4 four,
still 5 one, and still 5 two .
none of the work featured in this section has appeared in still.
these editions of still are available from
back editions
on still's website
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all featured poems copyright Marjorie Buettner 2002
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