welcome to the fourth organic edition of dew-on-line 2002
succumb to a journey of
self-exploration & poetic pleasure
149 pages with 39 artworks
|
you tell stories
your own truths
and share their light
ai li
|
original artwork copyright ai li 2002
page
one
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d
e w - o n - l i n e
______________________________________________
four
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page two
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created,
designed & edited
______________________________________________
by ai li
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page three
for
the first tea rose i can't recall
______________________________________________
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page four
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out of still
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page five

original artwork copyright Larry Kimmel 2002
page six
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midnight
a
whistler and his footsteps
|
Larry
Kimmel @ Colrain, Massachusetts
page seven
ai li
@ belsize park
page eight
|
the curve of her nails
as she hands me -
milk bread matches
|
Robert Naczas @ Krosno,
Poland
page nine

original artwork copyright ai li 2002
page ten
|
what is this need?
for one song I'd give away
a summer night;
the moon half-hidden, half
between venus and mars
|
Debra Woolard Bender @ Orlando
page eleven
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stuck for an answer
I lower my eyes
her ten red toenails
|
Larry Kimmel @ Colrain,
Massachusetts
page twelve
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the maple blushes
caught by autumn
in someone's garden
|
Robet Naczas @ Krosno,
Poland
page thirteen

original haiga copyright Debra Woolard Bender 2002
page fourteen
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We don't deserve to be here
with our backs to one another;
bookends.
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Patrick Dignam @ Edinburgh
page fifteen
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cold cemetery
the long sleeves of your old coat
warm my fingertips
even from beyond the grave
you manage to comfort me
|
an'ya @ prineville,
oregon
page sixteen
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painting a room
blue
to hear
the sound
of a night brush
|
ai li @ belsize
park
page seventeen

original artwork copyright ai li 2002
page eighteen
|
They are trying to clear space
in N16; a star hangs
from a crane.
|
Patrick Digman @ Edinburgh
page nineteen
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the hunter moon
hides behind the clouds tonight
how can i essay
my heart's deepest yearnings
when there's nothing but silence?
|
shirley cahayom @ brooklyn
page twenty
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lpissing in the snow-
how quickly
things melt away
|
Stanford M. Forrester @ Wethersfield,
Connecticut
page twenty one

original artwork copyright Larry Kimmel 2002
page twenty two
|
lDead pines mirrored in stream--
from wind-stirred pines
a rising phalanx of geese
|
Rebecca Lilly @ Port
Republic, Virginia
page twenty three
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lAppalachian Trail
Full moon
so many deer in the clearing
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Nancy Shattuck @ Northville,
Michigan
page twenty four
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lRazorblade
Wind-
Hold me safely.
|
Jane Clark @ Camden
page twenty five

original artwork copyright ai li 2002
page twenty six
|
Dawn pursues the night's
inner chorus:
the first siren of the day.
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Patrick Dignam @ Edinburgh
page twenty seven
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just when i thought
my muse had left me
a leaflet at the
end
of a black branch
|
Larry Kimmel @ Colrain,
Massachusetts
page twenty eight
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you love me because I'm poetry in a field of
ripe wheat
when you come near, hills sway, wave upon wave in endless rhythm
moved by your winds, but free, the sea would cease if you could tame her
|
Debra Woolard Bender @ Orlando
page twenty nine
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approaching storm . . .
every car i hear
is yours
|
ai li @ belsize
park
page thirty
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Inking drawings still wet--
through the glass at sunset
leaf-shade patterns the desk
|
Rebecca Lilly @ Port
Republic, Virginia
page thirty one
|
Winter, A Renga
Stone has energy
so strong it stuns me; ice cold
assaults my fingers
Still beneath the creek's gurgle
stones grizzled with black lichens
Dusk comes feather gray,
a dark bird wheeling past sight
over my left shoulder
Two grazing deer disappear
in beaten winter grasses
|
Nancy Shattuck @ Northville,
Michigan
page thirty two
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Walking
the railroad tracks
alone -
more and more we live
our parallel lives
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Larry Kimmel @ Colrain,
Massachusetts
page thirty three

original artwork copyright Mark Farid 2002 [Age
10 years]
page thirty four
|
STEPPING STONES
Fragments
of Heraclitus
more a mantra
than a name
"we never step in-
to the same river twice"
keep moving
through the fire
|
Graham Brown @ Bermondsey
page thirty five

original haiga copyright Debra Woolard Bender 2002
page thirty six
|
Sweltering dusk--
on an empty street, pigeons
peck at cigarette butts
|
Rebecca Lilly @ Port
Republic, Virgina
page thirty seven

original haiga copyright Larry Kimmel 2002
page thirty eight
|
Jazz
All-black dancer
two white body jewels
making up her own rhythm
even in her sleep
|
Felicity Brookesmith @ Broadstairs
page thirty nine
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slowing down
the washing up
for moon
|
ai li @ belsize
park
page forty

original haiga copyright Debra Woolard Bender 2002
page forty one

original artwork copyright ai li 2002
page forty two
|
Non-stop TV
You turn me on
Non-stop love
|
Jane Clark @ Camden
page forty three
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in this world
there are bird songs
and nothing else
|
jamie edgecombe @ sapporo,
japan
page forty four

original artwork copyright ai li 2002
page forty five
|
PORTRAIT OF BASHO
Though his skin is hard, the priestly coat grey
the lines on the face undulate like meadows
Because the bamboo pole has seen the Deep North
the eyes are careful, yet twinkling with surprise
Under the white hat there is a lonely road
singing of a frog or the world in blossom
|
Graham Brown @ Bermondsey
page forty six
|
through a hole in the leaf -
leaves
|
Peter Macrow @ Sandy
Bay, Tasmania
page forty seven
|
nights like this
when the rain falls soft,
steam rises from city streets.
rises from wet black streets:
all that's left of the heat of the day.
all that's left
on nights like this...
the wet black sound
of falling rain.
|
Debra Woolard Bender @ Orlando
page forty eight

original artwork copyright Larry Kimmel 2002
page forty nine
|
he longs to hear
his footsteps
the man in a wheelchair
|
ai li @ belsize
park
page fifty
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Leaves scattered between
currents of winding stream...
the brief meaning of things
|
Rebecca Lilly @ Port
Republic, Virginia
page fifty one
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unable
to
sleep
i
kiss
you
over
&
over
again
until
my
lips
bleed
|
Pamela A. Babusci @ Rochester,
New York
page fifty two

original artwork copyright Larry Kimmel 2002
page fifty three
|
knife-edge of the moon
pinning down the night
|
Felicity Brookesmith @ Broadstairs
page fifty four
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fish
in my sleep
they swim
in bouillabaisse
|
ai li @ belsize
park
page fifty five

original haiga copyright Larry Kimmel 2002
page fifty six

original artwork copyright ai li 2002
page fifty seven
|
bad hair day
everywhere
the wind
|
ai li @ belsize
park
page fifty eight
|
Japanese Lanterns
By the doorstep, so country common a thing to see
-Japanese lanterns. Some five of them, reduced
to their skeletal frame, more delicate than lace,
caging small orange bulbs-bulbs burning bright
by the doorway this dim December afternoon,
suggesting something still to be occasioned.
snow flurries
stacking an arm load
of firewood
|
Larry Kimmel @ Colrain,
Massachusetts
page fifty nine
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who said
you can live
without love?
emptying
the
rice bowl
again...
|
Pamela A. Babusci @ Rochester,
New York
page sixty

original artwork copyright ai li 2002
page sixty one
|
Spring afternoon
deepens in the leaves...the gravedigger
goes on sleeping
|
Rebecca Lilly @ Port
Republic, Virginia
page sixty two
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Birthday party
Under flowering cherries--
Petals in the wineglass
|
Arturas Silanskas @ Vilnius,
Lithuania
page sixty three
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tracing
the veins
on a leaf
as you read
the doctor's report
|
ai li @ belsize
park
page sixty four

original artwork copyright ai li 2002
page sixty five
|
Grief, A Renga
beach light fades
combers booming in
sea grass sways in my ears
a table set in the dim bar
all the absent months vanished
that was then and now
I anticipate you dark and spangled
re-member a sky
every star or so we begin to love
then the sun drops into the Indian Ocean
you hold the door open
for me
I pass and it closes
|
Nancy Shattuck @ Northville,
Michigan
page sixty six
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Dusk shadows of crows...
the dirt road impassable
with a lightning-struck oak
|
Rebecca Lilly @ Port
Republic, Virginia
page sixty seven
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rain
running down his lifeline
accident site
|
ai li @ belsize
park
page sixty eight

original artwork copyright Larry Kimmel 2002
page sixty nine
|
side view mirror
of a passing car--
passing face
|
Michael Meyerhofer @ Coralville,
Iowa
page seventy
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power failure:
nothing but the light
of the summer moon
|
shirley cahayom @ brooklyn
page seventy one

original haiga copyright Debra Woolard Bender 2002
page seventy two

original artwork copyright ai li 2002
page seventy three
|
train braking system
drawing us together
sapporo haiku
|
jamie edgecombe @ hokkaido,
japan
page seventy four
|
THE SUCHNESS POND, IN APRIL
Sunlight
on pebbles
ebbing like water
the dew on moss
presence
& nothing we could say, unsay, would undo the letting go, the falling,
into such
brilliant air
|
Graham Brown @ Bermondsey
page seventy five
bruce roxburgh @ tea
gardens, australia
page seventy six

original artwork copyright ai li 2002
page seventy seven
|
A hairpin curve
winding down through mountain pines...
the moon's climb at twilight
|
Rebecca Lilly @ Port
Republic, Virginia
page seventy eight
bruce roxburgh @ tea
gardens, australia
page seventy nine
|
on the dune
a white fan shell
glistening salt
|
Peter Macrow @ Sandy
Bay, Tasmania
page eighty

original artwork copyright ai li 2002
page eighty one
|
you with fever
the sirens fuel
the dark
with sea ghosts
and their old songs
|
ai li @ belsize
park
page eighty two
|
striding from the surf
in brilliant
waterskin
|
bruce roxburgh @ tea
gardens, australia
page eighty three
|
Transatlantic (Manchester-Chicago 30.4.02)
Dry tongue licks dry lips.
From here the sky looks smaller,
anticipating...
She smiles, offers bread.
Poured wine catches glancing sun
soaring in stillness.
No break in bright clouds.
I may never see Iceland.
Perhaps it's raining.
Mountains rise below.
Carefully, time turns backwards:
drops in the ocean.
Above unknown seas,
half way between two somewheres,
I am always Here.
Turning from the sun,
an after-image of snow:
wings gleam in calm blue.
Centuries of man:
small roads barely visible;
still lake mirrors sky.
Patterns become clear.
Gliding through turbulent air
all earth becomes home.
Touching the same earth,
I sit half a world away
breathing the same air.
|
Oz Hardwick @ York
page eighty four

original artwork copyright Larry Kimmel 2002
page eighty five
|
body hair alight
not moving
from the sun
|
bruce roxburgh @ tea
gardens, australia
page eighty six
|
the customer's eyes
following a drop of sweat
into the waitress blouse
|
Michael Meyerhofer @ Coralville,
Iowa
page eighty seven
|
LAMBS
are silly
clumsy, so much
out-of-tune
their unrefined
believing that
grass is green
just about able
to spring the
roots of an oak
not sensing
the length of
its shadow
unaware of how
their future
their blood is
tied up, will be
cut, they prance
& fall & pick
themselves up
delightfully
|
Graham Brown @ Bermondsey
page eighty eight

original artwork copyright Larry Kimmel 2002
page eighty nine
|
it grows light . . .
orchard : windfall
in the grass
no one
heard them
|
ai li @ belsize
park
page ninety
|
Grandfather peeks
through the donut hole
the baby's laughter
|
Peggy Heinrich @ Bridegeport,
Connecticut
page ninety one
|
ocean waves . . .
the blue curls
in Poseidon's hair
|
Stanford M. Forrester @ Wethersfield,
Conneticut
page ninety two

original artwork copyright ai li 2002
page ninety three
|
Gathering Clouds
We could be secure
sheltered from any crumpling horizons.
Atmospheres are tempered
and all the weathers
culminating.
I don't want to stay
and await the flood;
there is already on your face
a rain that will not soon
be dried.
|
David Redfield @ Peterborough
page ninety four
|
I step carefully round
the puddles of last night's rain
dew inside my shoes
|
Judy Kendall @ Cambridge
page ninety five
|
AFTER LI
PO
(for Gunaketu)
In
late
Young
March
as I am
I
go
old
down
as I am
to the
water
the roots
there
are
& wings
anemones
of the mind
flowering
dog's
in
there
mercury
blue
sky
celandine
green
joyfully
with
life
ancient
|
Graham Brown @ Bermondsey
page ninety six

original artwork copyright ai li 2002
page ninety seven
|
Meditation
and can a simple breath
calm stormy seas
|
Peggy Heinrich @ Bridegeport,
Conneticut
page ninety eight
|
Grandma's wooden box :
faded love letters
tied in satin ribbons
|
shirley cahayom @ brooklyn
page ninety nine
|
flicker of light
shadows travel quickly
wind driven candle
|
Michael Rehling @ Livonia,
Michigan
page one hundred

original artwork copyright Larry Kimmel 2002
page one hundred and one
|
november
feeling my age
forgetting my birthday
the cake shop window
fly
|
ai li @ belsize
park
page one hundred and two
|
cluttered drawer
a poppy of ink blooms
on an old poem
|
Peter Williams @ Watford
page one hundred and three
John West @ Aspendale
Gardens, Australia
page one hundred and four

original artwork copyright ai li 2002
page one hundred and five
|
a passing bus
stirs up cherry petals
evening sun
|
Peter Williams @ Watford
page one hundred and six
|
hooked
on designer silk
love-life
hanging by a thread
|
Felicity Brookesmith @ Broadstairs
page one hundred and seven
|
TEMPTATION
Eyes
widen
and a smile
now writes itself
crookedly across the lies in his mouth
|
Hilary Mellon @ Norwich
page one hundred and eight

original artwork copyright Larry Kimmel 2002
page one hundred and nine
|
tea ceremony
of our love...
you drink
i drank
bottomless
cups
incessant rain
|
Pamela A. Babusci @ Rochester,
New York
page one hundred and ten
|
wren house
old wood
door hole black
|
jim bernath @ denver
page one hundred and eleven
|
Namida
end of the year,
my murmurs before God
grown louder...
tears halved/quartered/
three for you/one for me.
|
Debra Woolard Bender @ Orlando
page one hundred and twelve

original artwork copyright ai li 2002
page one hundred and thirteen
|
ears into the wind
and the rush of the world;
dead pine needles
|
jamie edgecombe @ sapporo,
japan
page one hundred and fourteen
|
Snake River
the sun sharpens the wind
to a race of grass on the riverbank
a glitter on waves
|
Nancy Shattuck @ Northville,
Michigan
page one hundred and fifteen
|
Searching for the answer to crop circles
Round and round
the scarecrow.
|
Richad Bonfield @ Leicester
page one hundred and sixteen

original artwork copyright ai li 2002
page one hundred and seventeen
|
nursing home
Mum smiles this time
at what she thinks I said
|
Peter Macrow @ Sandy
Bay, Tasmania
page one hundred and eighteen
|
winter afternoon . . .
a crow blackens
the white sky
|
Stanford M. Forrester @ Wethersfield,
Connecticut
page one hundred and nineteen
|
just the leaves
of a silk tree
moving to air-con
|
ai li @ belsize
park
page one hundred and twenty

original artwork copyright ai li 2002
page one hundred and twenty one
|
high on the ledge
white fantails
preening
|
Peter Macrow @ Sandy
Bay, Tasmania
page one hundred and twenty two
|
LITTLE SPRING POEM, FOR KENNETH WHITE
The birches of the mind, here
we speak the same language
Chaotic & joyful, making wine
from the sweetness of rising sap
|
Graham Brown @ Bermondsey
page one hundred and twenty three
|
This poem written
on karate school
flier.
|
John West @ Aspendale
Gardens, Australia
page one hundred and twenty four

original artwork copyright ai li 2002
page one hundred and twenty five
|
PRISON FLOWER BED
The petunias are kicking off
in a riot of colour
But one quiet grey sock
is planted
amongst purple
pink
violet
and mauve
|
Hilary Mellon @ Norwich
page one hundred and twenty six
|
hearth confession
perhaps
the champagne
and bear rug
were a bad idea
|
ai li @ belsize
park
page one hundred and twenty seven
|
Summer heat.
Little boy gazes
at fallen ice-cream
|
Arturas Silanskas @ Vilnius,
Lithuania
page one hundred and twenty eight

original artwork copyright ai li 2002
page one hundred and twenty nine
|
Plump black olives
heaped in a bowl :
the tang
of an ancient culture
ripens
|
David Redfield @ Peterborough
page one hundred and thirty
|
your yarmulka
edged with gold thread
my dusk
adding to
its mauve
|
ai li @ belsize
park
page one hundred and thirty one
|
Not a Kingfisher (For Margritte)
Caught in all mediums
metal oil and watercolour
He outflashes them all
Picks all artistic locks
Slipstitches the autumn water
Slips through the finest net
of our finest imaginings
And burns away across an evening river.
|
Richard Bonfield @ Leicester
page one hundred and thirty two

original artwork copyright ai li 2002
page one hundred and thirty three
|
dog stretches black under
moonlight
|
Shaun Johnson @ Melton
Mowbray
page one hundred and thirty four
|
Train rattles through the wind...
where the distance clears:
mist from the cataracts
|
Rebecca Lilly @ Port
Republic, Virginia
page one hundred and thirty five
|
a smell of jasmine tea
drifting after love
rainy cottage
|
Ikuyo Yoshimura @ Gifu,
Japan
from Internationalization
of Japanese Poems-Haiku,Tanka,Senryu
page one hundred and thirty six

original artwork copyright ai li 2002
page one hundred and thirty seven
|
dusk
late violets glimmer
under the moontouched roses
and into the silence
blackbirdsong
|
Felicity Brookesmith @ Broadstairs
page one hundred and thirty eight
|
i tell you
that you will be leaving
one day you shake your head
to the rhythm
of her name
|
ai li @ belsize
park
page one hundred and thirty nine
|
spring rain
letter from overseas
with soaked stamps
|
shirley cahayom @ brooklyn
page one hundred and forty

original artwork copyright ai li 2002
page one hundred and forty one
|
Motor bike at lights -
rider's boots
have high heels.
|
John West @ Aspendale
Gardens, Australia
page one hundred and forty two
|
bleached hair
you fail to emulate
her walk
the breathlessness
from another age
for marilyn
|
ai li @ belsize
park
page one hundred and forty three
|
WRITING POEMS
Joyfully the young birch lets go of scattered seed
my love & I, we are playing together
writing poems
|
Graham Brown @ Bermondsey
page one hundred and forty four

original artwork copyright ai li 2002
page one hundred and forty five
|
ROOMSCAPE: WITH DRAGONFLY
sunshine and rainbows
crash down from high windows and
splash in your glass - while
the dragonfly shines
above voices and laughter
headlocked to ceiling
|
Hilary Mellon @ Norwich
page one hundred and forty six
|
SURPRISED BY THE EARTH
inside me
the old
trick
of Spring
hazel
birch
leaves
nothing
new
again
it is
the April
choir
of
the sparrow
trees
the early
morning
mist
as
I walk
slowly
to
the house
hungry
the lane
of cow
parsley
evening
fears
an empty
cup
singing
|
Graham Brown @ Bermondsey
page one hundred and forty seven
|
Dropping in On an Old Neighbor
Once promiscuous as a carnival ride she spends her days in a
trailer watching television and smoking five packs of cigarettes.
Thin as a rail and hollow-eyed, she doesn't remember me, and I
wonder that I ever thought her erotic. Leaving, canned laughter
follows me down the moon bright path.
|
Larry Kimmel @ Colrain,
Massachusetts
Legends was inspired by Brian Aldiss's 'Mini-Saga', owes its beautiful
name to
Larry Kimmel, and was gifted to ai li from muse on the 16 August 2001.
For the
guidelines for Legends, please click here.

page one hundred and forty eight
|
why
rake the leaves
they already know
|
Robet Naczas @ Krosno,
Poland
page one hundred and forty nine
|
f i n i s
___________________________________________________________________
you
are invited
to submit your
poems and artwork for
future editions of the organic
dew-on-line
off-shoot of still
dew-on-line
five
is
on
its
way
. . .
|
copyright ai li 2002 all
rights reserved
no poems or artwork can be reproduced without the
prior permission
of the editor of dew-on-line and its contributors.
the editor of dew-on-line does not accept any
responsibility for copyright infringements, failure to post proper
acknowledgments, materials lost in the post, the views of contributors or
research errors.
if you have enjoyed this edition of dew-on-line and
would like to order a still anthology please click
here, or a copy of moving into breath, please click
here
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